"And the Subdivision Became Flesh and Dwelt Among Us", Part II
Ave Maria clearly represents the logical end-point for a certain style of Catholicism. Because it is such a grandiose and over-the-top project, I think it makes visible a couple of elements of what some commentators have called “neo-conservative Catholicism” (though I am not sure I like that term) that is not always easy to see in the more run-of-the-mill manifestations. The first thing, which I think is symbolized with the Oratory, is the ambiguous relationship it has to “traditional Catholicism.” Everywhere you look at Ave Maria, you see things that are clearly designed to be homages to traditional Catholicism (the church at the center of the town, the Gothic plan of the Oratory, etc.). But the actual implementation is thoroughly new and modern. The church may be at the center of town, but people are clearly expected to live in “the suburbs”—the subdivisions—and “commute” to work. The Oratory is Gothic in plan but modernist in execution. Compared to my parish in San Francisco, it i...