Posts

Showing posts from August, 2017

Giving a Name to the Pain

Six years is not a long time.  I've now lived in Columbus for six years, and it seems like a blink of an eye since I was living out on the West Coast.  But not all blocks of six years are created equal.  Six years in your thirties, as the last six years have been for me, is not the same thing as six years when you are younger.  Context and timing matter. From August 1990 to August 1996, I lived in Jacksonville, Florida.  That period of six years corresponded with my two years of middle school and my four years of high school.  I was 12 at the beginning of that period and 18 when it ended.  There is an argument to be made that this is the most significant six year period in any person's life, and I am coming to the conclusion that it is the most significant period of my life, by far.  And it was spent entirely in a strange place called Jacksonville, Florida. If you have never been to Jacksonville, you probably have certain associations with "Florida" that you assum

Let the Dead Bury Their Own Dead

Now when Jesus saw great crowds around him, he gave orders to go over to the other side. A scribe then approached and said, “Teacher, I will follow you wherever you go.” And Jesus said to him, “Foxes have holes, and birds of the air have nests; but the Son of Man has nowhere to lay his head.” Another of his disciples said to him, “Lord, first let me go and bury my father.” But Jesus said to him, “Follow me, and let the dead bury their own dead.”   (Matthew 8:18-22). A couple of weeks ago, I talked about ghosts .  In the event that you were skeptical of the power of the ghosts of the pasts, you should no longer be after watching what unfolded in Charlottesville, Virginia on Friday and Saturday.  Ghosts of the past, ghosts that many (wrongly, naively) thought were dead and buried came to life.   Ghosts took the life Heather Heyer , a martyr for justice.  Ghosts were everywhere, and their power was unmistakable. In the face of this horror, there were rays of light.  The much derided a

The Fountain, Terry Schiavo, Charlie Gard, and "Spiritual Pornography"

Image
1. One of my favorite movies, and a movie I will defend to the death, is The Fountain.   The conventional wisdom is that The Fountain  (2006) was a weird misstep in director Darren Aronofsky's career between the critically acclaimed, commercially successful hits Requiem for a Dream  (2000) and The Wrestler  (2008) (and, later Black Swan (2010)).  That conventional wisdom is wrong-- The Fountain is every bit as good as those films (and I think better than Requiem and Black Swan , though I really like those films).  It is, I will admit, less accessible than some of his other films--it doesn't have a conventional narrative structure, but instead intertwines three related stories.  But if you take the time to work through what is going on, it will reward you. [Also, a quick aside--the soundtrack to The Fountain  by Clint Mansell and Kronos Quartet, is absolutely fantastic.  Even if you don't see the movie, listen to the soundtrack--it is one of the most beautiful symp

Behind Door #3

I just finished Diarmaid MacCulloch's new book All Things Made New: The Reformation and Its Legacy , which I felt was timely and appropriate as we approach the 500th anniversary of Martin Luther's posting of the 95 Theses.  And I am glad I did, because the book is brilliant and insightful (and more accessible than his massive previous book The Reformation: A History ).  There are a number of things that you can talk about with regard to the book, but one thing that struck me from reading it was how the Reformation presented a fundamental choice for Christianity, and how we are still wrestling with the legacy of those choices. To understand the nature of the choice, we should go back and think about Augustine.   In the Original Blessing series  of posts from last month, we looked at how Augustine sees the physical world as being fundamentally corrupted by the sin of Adam, and how physicality itself as the locus of the human problem generally.   This view creates a series of th